Professional HD and Ultra HD broadcast camera with B4 lens mount, traditional broadcast controls, integrated ND filters, Extended Video dynamic range, and recording prores or dnx on SD, UHS II or cfast cards.
The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible!
When you’re working live in the studio or out at an event in a large venue such as a stadium, the URSA Studio Viewfinder G2 gives you everything you need to comfortably operate your URSA Mini in live production! The bright 7” screen has a detachable sunshade and includes large handles and an articulated pivot mount that let you position and move the viewfinder independent of the camera! The large rotary control dials and customizable function buttons let you make on the fly adjustments without having to take your eyes off the action! Set up is quick and easy using the included V-Lock plate and it connects directly to the SDI monitor and power output on your URSA Mini, so you don’t need additional cables or power supplies.
The Blackmagic Studio Camera 4K Plus has been specifically designed as the perfect camera for ATEM Mini. It's the same high quality broadcast camera, but the HDMI centric design removes all the expensive broadcast connections so it's much lower cost. The HDMI is incredibly powerful as it connects video to the ATEM Mini, while at the same time camera control, tally and the remote record trigger is sent to the camera using the same HDMI connection. That makes it very fast to set up for a job.
Designed for powerful SDI switchers, Blackmagic Studio Camera 4K Pro adds professional 12G-SDI and 10G Ethernet connections. That's perfect when the camera is located a long distance from a switcher. There's a 12G-SDI output and a 12G-SDI program return input that includes camera control, talkback and tally. You also get the same powerful HDMI output with control features. Plus the 10G Ethernet connection allows all connections on a single cable for a SMPTE style workflow that's much lower cost.
With the Blackmagic Design Focus Demand for the new Studio Camera you get accurate focus control with Blackmagic Studio cameras. Eliminates the need to reach the goal because you can control the goal directly from the tripod handles, just like a true broadcast lens.
ATEM Studio Converter is the ideal partner for the ATEM Camera Converter. Connect up to four Camera Converters via optical fiber up to 28 miles away with bi-directional video plus tally and talkback! Connect your ATEM switcher program output to the ATEM Studio Converter and this is distributed to the four Camera Converters. Multiple Studio converters can be cascaded together when more than 4 cameras are needed.